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Film

Cinematographer Bianca Cline on Filmmaking, Trans Representation, and ‘Marcel the Shell’

A photo of filmmaker Bianca Cline filming Marcel the Shell.

When Marcel hit theaters in the summer of 2022, millennials flocked to see the sentient one-inch seashell we had all come to know and love from the viral YouTube video of the same name. Marcel is charming and humorously witty and leaves viewers with that comforting tingle one can only experience following a healthy dose of nostalgia. The media frenzy surrounding Marcel’s release was more than Cline was used to, but it offered her the opportunity to not only discuss…

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Texas Author Patricia Highsmith’s Queer Life Brought to the Screen in ‘Loving Highsmith’

A photo of Patricia Highsmith in Loving Highsmith.

Loving Highsmith, playing September 16–18, at the Museum of Fine Arts, Houston, depicts the career of author Patricia Highsmith through the intimate lens of her love life. Patchy and irregular, the film encapsulates the aloof nature of queer love in a time gone by. Highsmith is perhaps best known for writing the Tom Ripley novels, as well as Strangers on a Train (1950)—the basis of Hitchcock’s 1951 film—and The Price of Salt (1952). The latter was first published under a…

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Q Fest 2021 Hits Screens for the Last Time—With A 25-Year Legacy in Tow

A photo of Swan Song, a QFest 2021 featured film.

By Autumn Rendall After 25 years, QFest—Houston’s international LGBTQIA+ film festival—is hitting screens for the last time. The festival kicked off with its competition short film screenings on September 24 at Aurora Picture Show and will continue with two more in-person screenings of the feature film Swan Song (September 26 and October 2, both at 5:00 p.m. at the Museum of Fine Arts, Houston). All feature and short films will also be available to screen virtually through the Cinenso platform…

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Queer Film Summer: MFAH’s Virtual Cinema Streams Three LGBTQ Masterpieces

A photo from queer film Truman & Tennessee.

While Pride month may be over, the Museum of Fine Arts, Houston (MFAH), is keeping the queer vibes alive all summer long. As part of their virtual cinema program, MFAH is streaming three queer films: Against The Current and Truman & Tennessee: An Intimate Conversation (which the Museum premiered in June), and Can You Bring It: Bill T. Jones and D-Man in the Waters, which debuted on July 16. Although these films vary greatly, each tells a beautiful and deeply…

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The Art of Resistance: MFAH Presents New Documentary on Activist and Artist David Wojnarowicz

A photo of a work of David Wojnarowicz.

We’ve all seen the photo: a man, pictured from behind during a 1988 demonstration at the FDA headquarters. The back of his denim jacket contains a large inverted pink triangle and the justifiably livid words stenciled in white: IF I DIE OF AIDS—FORGET BURIAL—JUST DROP MY BODY ON THE STEPS OF THE F.D.A. The man in the jacket is artist David Wojnarowicz, the subject of the new documentary film 'Wojnarowicz,' now playing as part of the Museum of Fine Arts, Houston’s Virtual…

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Houston Cinema Arts Festival Perseveres in the Pandemic with “Urbana”

A photo of Houston Cinema Arts Festival.

With cinemas the world over closed for the foreseeable future, I wasn’t sure we would get a Houston Cinema Arts Festival (HCAF) in 2020. Thankfully for us, the staff of the longstanding Houston arts institution have proven themselves flexible, offering 2020 solutions to 2020 problems. This year’s festival, which runs November 12–22, will take place virtually and in a drive-in format at the Moonstruck, Show Boat, and Houston Ballet drive-in theatres, creating a pandemic-friendly cinema experience.…

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QFest 2020: Houston’s Annual LGBTQ Film Fest Hits Virtual Screens Sept. 24–28

A photo of QFest film Queer Genius.

The 24th annual QFest, Houston’s international LGBTQ film festival returns to screens this September 24–28—virtual screens, that is. This year’s fest will be held completely online, hosted by Cinenso, and feature nine feature films and 19 shorts from over 15 countries that highlight a variety of new filmmakers and stories. “I feel that people who engage with us this year will probably get the clearest understanding of what QFest has always meant to us,” says Kristian Salinas, executive and artistic…

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Queers on Screen: What to Watch While Quarantined

A photo of queer show Gentleman Jack.

Representation matters. The way we and our communities are portrayed matters. In observing queer characters in books, movies, and on television, we see options for who we can be and validation of who we already are. As human beings, we are in constant need of affirmation that we are not alone—that our thoughts and experiences aren’t isolated.…

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On ‘Daughters of the Dust’ and the Radical Reconceptualization of Black Female Iconography

A still from Daughter of the Dust.

“What’s past is prologue.” One of the first lines uttered in director Julie Dash’s Daughters of the Dust (1991) is from Shakespeare’s The Tempest, but it is redeployed here by the character Viola Peazant. Used as a means of creating distance between herself and the islands from which she hails, the quote grounds the discourse of the film to follow. The past is a place, both physical and psychic, and how much of that place we carry forward with us…

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