In 1996, in a Washington DC queer bar called Escandalo (which translates to “scandal” in English), the transgender ranchera artist Teresita La Campesina gave a performance of the Lola Beltrán song “Puñalada Trapera.” A heart-wrenching ballad that rebukes an ex-lover for stabbing the narrator in the back (so to speak), it is one of the few remaining recordings of Teresita’s live performances. She was never given the opportunity to record an album of her own. The rendition is pretty classical…
Teresita La Campesina: Queering Ranchera Music, Performance, and Memory
Posted on April 29, 2020
